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Instapoetry and PoetryTok: Rethinking Poetry for the Digital Age

In Professor Kyle Dargan鈥檚 Advanced Poetry Workshop, students are reimagining memorable poetry for our contemporary times

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Poetry used to live in books and journals. Now, it鈥檚 fighting for space between influencer posts, hashtags, and TikTok trends. Instead of resisting this shift, award-winning poet and 麻豆视频作品Literature Professor Kyle Dargan is asking: What if poets leaned in?

This semester, Dargan鈥檚 Advanced Poetry Workshop is taking a new approach to writing鈥攔ather than shunning social media, students are exploring how to write poetry for these digital spaces. 听

鈥淪tudents are often seeking my guidance on how to penetrate publishing and find their audiences, and the reality is that the answers from 25 years ago simply do not suffice in the contemporary content environment,鈥 Dargan says. 鈥淎nd part of being honest about how to grow in the field now is acknowledging that, as much as general "" is maligned, social media platforms are where the readers are, and we need to find artistic and sincere ways to enter the vertical theatre of the smartphone, where we indiscriminately consume the majority of our content today.鈥

Dargan says he had a eureka moment after reading a recent that explored how Netflix shapes our relationship to content as consumers and creators. Netflix screenwriters now craft dialogue where characters explain their actions, assuming viewers are likely distracted by their phones while "watching" television. 鈥淚t all got me to thinking that if screenwriters are being asked to adapt in these ways, what does it mean for poets?鈥 听

Dargan asked his workshop if they wanted to focus on multimedia or more traditional poems鈥攁nd they chose to take the ride with him on this new approach to poetry. Here are some samples of their work:

Jalisa HardyJalisa Orellana Hardy

鈥淧oetry workshop this semester has been super helpful in considering the relationship between poetry and social media. We've been working on shorter forms, still & moving images, and sound as a way to experiment with writing & modern tech. If we want people to read our poems, we got to go where the people are. Which is on their phones.鈥


i have memories of daughters
i've never had whose names
Ive never chosen whose fathers i do not know
i watch sheer curtains cascade from the kiss of an open window
as i wait in a land i am not from in a life i've never lived
womb warm & elastic breasts wet with milk

Isabella SalcedoIsabella Salcedo

鈥淚 enjoy how this class switches up a more traditional poetry workshop model! We're still craft-oriented in our thinking and discussions, but at the same time, we have the class time to be experimental and a little silly with what we're writing and the videos we make. I appreciate that balance.鈥


What I think will never happen often does. A plane crash lands and everyone survives. 2/18/25

Tara HollanderTara Hollander

鈥淭he concept of social media poetry was really difficult to buy into, but I鈥檓 so glad I did. Prior to this class, I thought of my poetry as intellectual, societally challenging, and meant for delicate consumption. Here, I鈥檝e been pushed to redefine poetry鈥檚 purpose and cater to new audiences. It鈥檚 like having new poetic muscles and this class trains them daily. Poetry can be short, silly, and inventive in order to capture an online viewer.鈥


The Water at Home in from the rain a lover's skin soft with iron

Heaven SantiagoHeaven Santiago

鈥淎s far as the class goes, I love it! It's made me consider the impact of poetry through modern mediums and how it can be enhanced from written verse. I really enjoy the class because I can be creative through video and audio formats, while also still having fun expressing myself through my written work.


X ray by Heaven Santiago. I. The X-ray knocks at my rib cage entrance. My organs, rattled, reveal themselves: My ombre lungs, small stomach crater. Craned ribs like church pews outstretch around the stark white mass of a heart.
II. The man draped in white makes sure I know my organs & welcome them. I stand masked, present beside him, Though he notes my voice absent. He thinks if he uncovers my insides, I'd feel more at home with myself.
III. I've X'd out my parts, a long list of limbs: My arms-scarred. My mouth鈥攁 tomb. My lower half鈥攁 wastebasket for baggage. Eyes are die, my breath, a hostage in esophagus. -I am searching for a body I can claim mine.